Frederick Forsyth
is one of the great contemporary writers of crime and intrigue thrillers. A former journalist and Reuters correspondent, his hands-on experience of conflict, politicised soldiering and betrayal whilst covering the Biafran War, gave his works an unerring authenticity. His two early novels, The Day of the Jackal and The Odessa File (both turned into movies) were runaway bestsellers and remain perennial favourites with the avid readers. All his subsequent books have received similar international acclaim.
They say a picture is worth 1000 words?
It can well be worth 1000 words, but not
always. Some pictures can stand alone;
sometimes words need no illustration.
The best and greatest effect is a
combination of both – hence explanatory captions.
When is photography a fine art?
When it says something that can be expressed
in no other medium with anything like that impact.
Is an image a more powerful news statement than a written description?
statement than a written description?
It can be but not always. Some war photography has simply become iconic. One recalls the Soviet flag being raised over the defeated Nazi Chancellery; the flag raising of Old Glory over Iwo Jima; Capa’s image of a giant GI in Sicily being directed down the road by a wizened old lady. There was no need to describe any of these. They told their own story.
When is reportage photography art?
As above, when it tells not only a news story,
but an eternal truth as well. This is rare but then so is all art – painting, writing, composing, dancing. It is art when it stops chatter, defies emulation and betrays a humbling talent.
Do you like being photographed?
Alas, no. I have no natural empathy with the
lens, leading to stiff and stilted appearances.
Who would in your top ten of world photographers?
I have only known two: Patrick Lichfield and Terry O’Neill. And I am not talented enough to be a judge of a medium I hardly understand.
Are you a photographer yourself?
No. My holiday snaps involve red eyes, missing
limbs and silly poses. I have no empathy with shutter speeds and focal lengths.
When would you consider buying a photo image in a gallery?
Not often. I prefer Impressionists and Post –Impressionists, mainly oil on canvas
Which photographs mean the most to you (childhood, places, holiday, parents etc)
I have two or three portraits of my late parents, taken by professionals. And a cardboard box of family ‘snaps’ which ought to be collated into albums but never have been. Very few of them feature me. I sometimes wish I had taken a few more as a sort of record, but mostly I preferred to stay out of sight.
Do you own a digital camera?
No. I bought an idiot proof camera once but
defeated its can’t-go-wrong technology so I never converted to digital.
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